I was sitting in church the other day, listening to the sermon with my usual rapt attention, when I realized the minister was saying something about “why,” as in ultimate reasons. I suppose he was making a religious point of some kind, but my mind immediately leapt to fiction writing. Why, indeed, write fiction?
There are two bones to pick here, I think. The first is why you, dear reader, pursue the wordly way. The second is, why are you writing this particular piece of fiction?
To write, you’ve got to have the basic need to create. Not a longing or a hankering, but an itch you can never scratch enough. For a writer, this undeniable yen is fundamental; without it you’ll give out.
As for words, you may be instinctively drawn to the power of story and language like a yellow jacket to a picnic, just because of the way your DNA is wired. You may have a psychological need to write because of your life experience. Or maybe you just don’t have any place to paint, so you’re making do.
This first Why is the seed of your mission as a writer. Your raison d’écrire informs your choice of subject, your tone, the type of stories you choose – everything. If you know what it is, you can make those choices with more intelligence and better results. And when you get tired of the whole business, you can go back to Why #1 for a shot of ambition.
Why Write This?
The second Why, regarding why you are writing a particular piece, gets you to your theme. Theme is the thing you’re trying to demonstrate or prove in your novel. In a romantic comedy, that might be “love prevails, even for goofy people.” In something tragic, your theme might be “people can and will be noble, even when doomed.” If you really want to say something with a particular piece of fiction, that’s your theme, your second Why. Knowing the statement you want to make in your story is another thing that will keep you going when the batteries of enthusiasm run low.
Theme may not reveal itself to you right away. In my own case, I started writing Thin Spots because I thought the idea would be fun to develop into a novel. That’s no theme, though, and I may not figure out what it is until I’ve finished the first draft and re-read it. But that’s just the screwed-up method of a nascent novelist. You are far more clever than I, of course, and will figure out your theme, your Why for this particular piece, up front.
Why-dle Dum and Why-dle Dee
You may find that Why #1 and Why #2 influence each other. Writing a particular story may lead you to insights that change your overall reason for writing and, as I said earlier, your overall reason for writing is sure to influence the types of stories you choose.
Why Think About Why?
I suppose you could go your entire writing career without thinking about the Whys at all. Personally, though, I like living with as much awareness as I can, because that leads to better decisions. Knowing my Whys, as I’ve pointed out, also gives me additional resources to fall back on when my writing energies flag.
That’s all. I could write more, but I can’t think why.